7
Jun
Expect more stories of my French travels towards the end of the Jewish holiday of Shavuot, on Friday.
Chag Sameach and Happy Holiday!
Kabuika
“I came here when I was 19,” Leslie Xuereb Amiel said. “I thought I would be here for a couple of months and now I’m here for 30 years.”
Leslie is from New York City. She came to Paris to study art and art history for a few months. She fell in love with a viola player, traveled with him, stayed, painted and ended up moving to Chartres, France. Since she is American, a friend took me to see Leslie in her studio.
Everywhere I looked, I saw bright colors. Her studio was cool and colorful, a sharp contrast from the intense sun outside.
“I create this imaginary world as a kind of a refuge for myself, because I’m not very happy with the world [outside] as it is,” Leslie said. “[My art] has helped me run away from the real world.”
The art studio is certainly a haven. It feels good to be in it. Leslie has painted stain glass on her windows to create that feeling. The stain glass protects from the outside world and at the same time makes the studio very lively. She hopes that her happy art brightens others too, ”If I can give a bit of energy to others, that will be great.”
Leslie has been painting women with flowers as big as the women. Her art portrays “the joy of simple things, of flowers, of the sun, of the earth … the interactions between [them].”
Her paintings show women bouncing up to be part of the trees, the moon, and the air.
“All your characters are women,” I pointed out to her.
“Yeah, mostly. There are some angels here and there.” She replied. “Every now and then there is a guy; he’s more like an accessory,” she burst out laughing. “It says a lot about me.”
Leslie now has 3 children and her whole life is in Europe.
“How could you possibly imagine that when you go abroad to study, you’re going to stay for your life?” exclaimed the artist, who has been in France for almost 30 years. “I think when you make a decision, you absolutely don’t know where it will lead to.”
Her decision to come to France led Leslie to a life centered around her art.
“I don’t own a house… I rent an apartment, but I am buying a studio, [because] I need to own a place to create in.”
“It’s kind of a bit backward,” she added with a shrug. “Besides the children, everything personal goes into my brushes and paints. I don’t own jewelries. This is it!” She said spreading her hands out to show her studio.
From her life in France, Leslie realized the most important thing is ” to keep on the path of creation all the way, no matter what happens. The ultimate goal is to flourish.”